Friday, May 24th, 2024, 12pm
Kreuzberger Kinderstiftung, Ratiborstr. 14a, 10999 Berlin
This event will take place in German and English spoken language as well as German Sign Language.
Of course, queer of colour critique is not homogeneous and there is not just one line. However, the lines often only appear fleetingly, are sometimes clearer, sometimes ephemeral, sometimes missing points on the line or stations along the way that once existed but have disappeared due to erasure, forgetting, repression, violence or pandemics.
– Dr. Rena Onat
Queer of Colour Critique initially means a critical perspective of queer and BIPoC positioned people. Although there is no homogenous group of Queers of Colour, this term is currently used mainly by QTIBIPoCs (QueerTransInter* AND Black Indigenous People of Colour). There is a common ground of being affected by racism as well as homophobia and/or transphobia. This also means that there are shared experiences and common strategies of resistance, survival and empowerment.
Queer of Colour Critique has been a recurring theme in the spaces of xart splitta, for example in the reading group of the same name or most recently in the publication of Rena Onat’s dissertation “Queer Artists of Colour”. In addition to the critiques themselves, the people who formulate these critiques are also at the centre of our discussion here. This is another reason why we are drawing a direct line here from the (academic) discourse aspect of Queer of Colour Critique to (activist) identity (formation).
With various formats such as input, panels and workshops, we hope to create questions of knowledge transfer within intersectional communities and sciences at the symposium and to be able to pursue a renewed contextualisation and challenge in the German context.
The processes around knowledge about intersectional discrimination and life realities, the remembrance of activist struggles, people or places that are/were affected by structural erasure will be fundamental for a common remembrance and exchange.
Programm:
12:00 pm – 12:45 pm Arrival & Welcome
12:45 pm – 1:15 pm Welcome & Input by Dr. Rena Onat
1:15 pm – 1:45 pm Keynote by Jin Haritaworn
1:45 pm – 2:30 pm Break
2:30 pm – 3:30 pm Workshops
3:30 pm – 4:00 pm Break
4:00 pm – 4:30 pm Documentation of the Queer of Color Critique Keynotey by Dr. Chandra Frank & Gayatri Gopinath, 2021
4:30 pm – 6:00 pm Panel
Information on registration
Register at contact@xartsplitta.net until May 16th, 2024. Registration is possible via text, video and audio.
This event is a Safer Space and is explicitly aimed at people who position themselves as queer/trans/inter* and as BIPOC.
We kindly ask you to write something yourself when registering:
- Which workshop would you like to take part in?
- Why did you decide to take part in the workshop?
- How have you dealt with the topic so far?
- Do you have any needs or require support to participate (e.g. language assistance, etc.)?
Please come tested to the event and stay home in the case you are showing symptoms.
Our Guests
Rena Onat is an art and media studies scholar with a focus on Queer of Color Critique in visual culture. She positions herself as a German-Turkish femme and she recently finished her PhD thesis on “Queer Artists of Color. Negotiations of Disidentification, Survival and Un-Archiving in the German Context.” She has worked as a research assistant at the Institute for Media Studies at HBK Braunschweig and at the Helene Lange-Kolleg Queer Studies and Intermediality: Art – Music – Media Culture at the University of Oldenburg. Since 2023 she is the central women’s representative at the Weißensee Kunsthochschule Berlin. She also teaches seminars and is giving lectures and workshops on art, empowerment and antidiscrimination and she likes horses.
Sunanda Mesquita (they/them) born 1985, is a Vienna based, Goan-Swiss transdisciplinary visual artist, curator and Āyurvedic Wellness practitioner. Mesquita studied at the Academy of Fine Arts Vienna, and is co-curator of Anti-Colonial Fantasies and co-founder of WE DEY x SPACE a QTIBIPOC centered art space in Vienna. (decolonialkilljoy.com)
Their artistic practice focuses on the possibilities of a radical, utopian, queer feminist collectivity of BIPoCs and topics of community, solidarity and belonging. They support individual and collective journeys to wellbeing by offering Āyurvedic bodywork and holistic knowledge centering decolonial joy within the diaspora. (@decolonial_joy)
Dr. Layla Zami (Paris, 1985) is an innovative academic and interdisciplinary artist. She is Postdoctoral Researcher in Performance Studies at Freie Universität Berlin (CRC Intervening Arts ) and was Adj. Associate Professor of Humanities and Media Studies at Pratt Institute, where she co-chaired Black Lives Matter at Pratt. Zami is the author of Contemporary PerforMemory (2020), and her work orbits around the nexus of cultural memory, corporeality, performance, diaspora, language, and spacetime. She was a keynote speaker/performer at HKW (Sonic Vernacular 2023), SOCARE (2022), and BGHRA (2018). As an Interdisciplinary Resident Artist with her wife’s company Oxana Chi Dance & Art, Layla Zami creates and performs music, sounds, spoken words and physical theater. The duo gratefully and gracefully performed and presented across the globe.
Sailesh Naidu (they/them) is a writer, filmmaker, and researcher who explores the relationship between the deeply personal and the deeply connected. They spent the last decade working in the field of education and forced migration with a focus on gender and sexuality. In 2016 they were awarded the prestigious German Chancellor’s Fellowship and served under mentorship of Office Chancellor Angela Merkel. In 2021 their debut short film “DogFriend” which they created and produced was awarded funding by the German Ministry of Arts and Culture. “DogFriend ” had its world premier at the British Film Institute, was featured at the Tribeca Film Festival and was nominated for the German LOLA in 2022. Collectively their works and writing has been featured in the NYTimes, Die Zeit, The Schwules Museum, Gropius Bau, Urania Berlin, LiteraturHaus Berlin, DADDY Magazine, GALDEM, Volksbühne Berlin, among many others.
Koray Yılmaz-Günay is the Co-Managing Director of Migrationsrats Berlin, an umbrella organisation of over 80 self-organised migration organisations and organisations of Black people and People of Color. He also works in extracurricular political education, especially in critical race. Yılmaz-Günay has been socially and politically active since the early 1990s, especially in critical race and capitalism critique movements as well as queer movements, for a long time with GLADT e.V., an NGO of queer People of Color. He has worked in political education since the mid-1990s and between 2011-2016 was a migration consultant at the Rosa-Luxemburg-Stiftung’s Academy for Political Education. His activist/publicist commitment led to the founding of the publishing house Yılmaz-Günay in 2015.
Within the screening of the documentation of the Queer of Colour Critique reading circle 2021 we welcome back into the space:
Dr. Chandra Frank is a feminist researcher who works on the intersections of archives, waterways, gender, sexuality and race. Her curatorial practice explores the politics of care, experimental forms of narration, and the colonial grammar embedded within display and exhibition arrangements. She has published in peer-reviewed journals, exhibition catalogues and art publications, including Feminist Review, the Small Axe VLOSA catalogue, The Place is Here, Tongues, Foam Magazine and Stedelijk Studies. Chandra recently co-edited a special issue on Archives for Feminist Review. She is working on her monograph, Glimmers of Place: Queer Feminist Archives, Diaspora and Tidal Politics (working title), and is currently a Post-Doctoral Fellow at the Charles Phelps Taft Research Centre at the University of Cincinnati.
Gayatri Gopinath is Professor in the Department of Social and Cultural Analysis, and the Director of the Center for the Study of Gender and Sexuality at New York University. She works at the intersection of transnational feminist and queer studies, postcolonial studies, and diaspora studies, and is the author of two monographs: Impossible Desires: Queer Diasporas and South Asian Public Cultures (Duke University Press, 2005), and Unruly Visions: The Aesthetic Practices of Queer Diaspora (Duke University Press, 2018). She has published numerous essays on gender, sexuality, and queer diasporic visual art and culture in anthologies and journals such as Journal of Middle East Women’s Studies, GLQ, and Social Text, as well as in art publications such as PIX: A Journal of Contemporary Indian Photography, Tribe: Photography and New Media from the Arab World, and ArtReview Asia.
The event takes place within the framework of the LADS-funded project #CommunitiesSolidarischDenken.